Seventy at Seventy

Life Begins at 70

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[50] Jessant-de-lys Reversed

[50] Jessant-de-lys Reversed – A Blog about Heraldry

I wanted to say a bit about heraldry after a brief allusion in Tewkesbury Banners.

Heraldry used to be for individual men and families but we see it more often now for towns, counties and organisations. [Sorry but heraldry is very sexist. Women were not considered relevant until very recently.]

I won’t say much about where I found these pictures. It’s more of a general introduction to heraldry.

The Arms of Cheltenham

The official blazon granted to the town of Cheltenham in 1877 is as follows: Arms: Or a Chevron engrailed Gules between two Pigeons in chief and an Oak Tree eradicated in base proper on a Chief Azure a Cross flory Argent between two open Books also proper binding and clasps of the first. Crest: On a Wreath of the Colours upon a Mount between two Branches of Oak a Fountain thereon a Pigeon all proper. Motto: ‘SALUBRITAS ET ERUDITIO’

You could write the blazon in more modern English as: Arms: Gold with a wavy red chevron. Two pigeons above the chevron and an oak tree with its roots exposed below it in their natural colours. A blue area at the top has a silver cross with flowery ends between two open books with gold bindings and clasps. Crest: A wreath of gold and red (taken from the arms) with a crest of two oak sprigs and a pigeon on a ball of water. Motto: Health and learning (Latin.)

[The representation of water with wavy blue and white is so common that it has its own heraldicword – ‘a Fountain.’]

You can see the meaning of the arms when you understand the story that the spa waters were supposedly discovered after observing pigeons at a local spring. The blue background at the top represents the spa waters; the cross is the cross of Edward the Confessor who once owned much of the land that is now Cheltenham; and the books incorporate the learning as a result of the establishment of the Ladies College and the College for boys. The oak symbolizes Cheltenham’s position, both historical and today, as one of Britain’s foremost garden towns.

You see these arms around the town, not just representing the town but displaying the authority of Cheltenham Borough Council.

You will notice that colours are not defined beyond a single word. The yellow described as ‘Or’ originally represented gold so it may have a metallic sheen or it may be anything from a pale yellow to brown. You can even engrave the arms in stone without any use of colour!

Hereford Arms

There is a strange division in the Church where the Dean and Chapter hold a cathedral while the Bishop as pastor of his diocese or ‘see’ visits the cathedral only on the invitation of the Chapter. At Hereford Cathedral the arms of the Cathedral and those of the Bishop are given equal prominence.

I can’t trace the arms of the Cathedral (Or five chevronels azure) but the Bishop of Hereford has unusual arms derived from Bishop Thomas Cantilupe in the Thirteenth Century. They are Gules, three leopard’s faces jessant-de-lys reversed Or. [The leopards have fleur-de-lys emerging from their faces and are upside-down.]

As you wander round Hereford you will also spot the arms of the city and its surrounding county.

The City of Hereford has Arms: Gules three Lions passant guardant in pale Argent on a Bordure Azure ten Saltires of the second. Crest: On a Wreath of the Colours a Lion passant guardant Argent holding in the dexter paw a Sword erect proper hilt and pomel Or.

The arms were recorded (without the ‘bordure,’) at the Visitations of 1569 and 1634, and were augmented with crest and supporters in 1645. Hereford bore on an early seal the Royal Arms of Richard I, who gave the City its first Royal Charter in 1189. These were three gold lions on a red background, later to become the Royal Arms of England. [See below.] Hereford seems to have coloured the lions silver to create a distinctive (but unauthorized) coat of arms. The rest of the design, the border with ten saltires, dates from 1645 when the City supported the King during the civil war and kept the Cromwellian troops at bay for approximately five weeks. King Charles I was delighted and visited the City in order to thank them personally. He dined at the Bishop’s Palace and at the end of this dinner he is alleged to have made the Grant of the Coat of Arms, which the City of Hereford now possesses. The lions surrounded by saltires, or St Andrew’s Crosses, represent the Royalist forces hemmed in by the insurgent Scots.

The County of Herefordshire has Arms: Gules on a Fesse wavy between in chief a Lion passant guardant Argent and in base a Herefordshire Bull’s Head caboshed proper a Bar wavy Azure.

The arms were officially granted in 1946 to the Herefordshire County Council and re-adopted in 1998 by the new County of Herefordshire District Council.

The red background is taken form the arms of the City of Hereford and also represents the red earth of Herefordshire. The silver lion is from the arms of the City of Hereford, and in base is a Herefordshire Bull’s head. The silver and blue wave represents the River Wye.

Oxford – City, County and University

The arms of the City of Oxford recorded in 1634 from a Fourteenth Century seal are based on the heraldic device of ‘canting,’ showing an ox crossing a ford! Arms: Argent an Ox Gules armed and unguled Or passing over a Ford of Water in base barry wavy Azure and Argent.

The county arms of Oxfordshire, granted in 1976, represent the Thames and its tributaries with elements of nature (the oak tree) and agriculture. In heraldry a ‘garb’ is a sheaf of wheat. They were still seen in 1976 before automated harvesting machines took over. Arms: Azure two Bendlets wavy Argent between in chief a Garb Or and in base an Oak Tree fructed Or.


The University of Oxford also has its Arms: Azure, an open book proper, edged and garnished Or, leathered gules, pendent from the dexter side thereof seven seals gold, the pages inscribed ‘Dominus illuminatio mea’, the whole between three open crowns also gold.

As for Cheltenham, books are associated with learning. The inscription of the book has varied from time to time; it currently reads ‘Dominus illuminatio mea’ or ‘The Lord is my light.’

You will notice the modern trend to simplify heraldry into simplified logos.

Here we have city and university together.

The University consists of about forty colleges and halls, each with its own arms. I bought myself a postcard to help me with identification but it doesn’t show them all.

I did manage to spot Magdalen College Oxford in this strangely reversed version done in a cut glass pattern on a transparent door.

You can probably do the blazon for yourself. It’s Lozengy ermine and sable, on a chief of the second three lilies argent slipped and seeded or. [Don’t worry about ‘slipped and seeded.’ Heraldry likes to put in tiny details like seeds, tongues and claws.]

I wasn’t sure about the next two. (Ignore the two on the left and right.)

Both are University College, Oxford. Wikipedia conveniently gives the blazon: Azure, a cross patonce between four [sometimes five] martlets or.

If you were wondering about the cross, which looks ‘flory’ like the Cheltenham arms above, then Wikipedia also notes – a cross fleury (or flory) is a cross adorned at the ends with flowers. It generally contains fleur-de-lis, trefoils, etc. Synonyms or minor variants include fleuretty, fleuronny, floriated and flourished. In early armory it is not consistently distinguished from the cross patonce.

Martlets are common in heraldry. They are birds, something like swallows, but without feet.


All Souls College (officially The Warden and the College of the Souls of All Faithful People Deceased in the University of Oxford) is unusual in that all of its members automatically become Fellows. It has no undergraduate members, but each year recent graduates of the university and graduates of other universities now registered as postgraduate students at Oxford are eligible to apply for Examination Fellowships through a competitive examination (once described as “the hardest exam in the world”) and, for the several shortlisted after the examinations, an interview.

Its arms entered at the Visitation of 1574 are: Or, a chevron between three cinquefoils gules.

Royal Arms

As we have seen above, the Royal Arms of England started with Richard I as: Gules three lions passant guardant in pale Or armed and langued azure. (Red, three gold lions, walking with one paw raised, sideways but with their heads turned to look at the viewer, lined vertically above each other, with blue claws and tongues.)

Since then there have been several changes, adding the arms of France (later removed) and Scotland (the single lion with a very complicated border – a double tressure flory-counter-flory) and Ireland. The arms of the United Kingdom can now be blazoned simply as Quarterly 1 and 4 England 2 Scotland 3 Ireland.

This one dates from Elizabeth I or possibly earlier and is Quarterly France modern and England. (France ancient had lots of fleur-de-lys, not just three.)

Next from the Seventeenth Century, two quarters are Quarterly France modern and England. The others are Scotland and Ireland.

You probably can’t see the details in the next pictures but they are for George V so they have lost the French parts. They must be Quarterly 1 and 4 England 2 Scotland 3 Ireland.

The motif of the England national football team has three lions passant guardant, as in the English arms but the lions are blue. In 1949 when the FA was given an official coat of arms by the College of Arms that includes ten Tudor roses, one for each of the regional branches of the FA.


Bournemouth has an interesting coat of arms using just two colours. The blazon, granted in 1891, is quite complicated (but the important word is ‘counterchanged’) Arms: Quarterly Or and Azure a Cross flory between a Lion rampant holding between the paws a Rose in the first and fourth quar­ters six Martlets two two and two in the second and four Salmons naiant and in pale in the third all counterchanged. Crest: On a Wreath of the Colours upon a Mount Vert a Pine Tree proper in front four Roses fessewise Or. Motto: ‘PULCHRITUDO ET SALUBRITAS’ – Beauty and health.

[OK, I will try to re-order the words and translate and expand the blazon to make sense: Divided into quarters of gold and blue. A cross with flowery ends covers the shield. On the first and fourth quarters a lion holding a rose. On the second quarter six footless birds arranged as two by three. On the third quarter four salmon vertically aligned and swimming horizontally. Everything is just gold and blue with counter-changing.]

The arms are based on the Royal Arms of King Edward the Confessor, in whose Royal estate the area now known as Bournemouth was situated. The four salmon represent the River Stour, which marks the boundary between Christchurch and Bournemouth. The roses in the paws of the lions are the English roses and are also a part of the arms of the county of Hampshire.

The Russel-Cotes Museum at Bournemouth was given by Mervyn Russel-Cotes, who was the Mayor of Bournemouth to his wife – so it has this arrangement with the arms of Bournemouth and, presumably, those of Russel-Cotes. I’m not sure how it manages three helmets and crests!

Diversion – Istria

The Istrian peninsular has a long and complicated history. It now spans the countries of Croatia, Slovenia and Italy but it was founded in 1062 as an independent state, then acquired by the patriarchs of Aquileja, and in the late Thirteenth Century it became part of the State of Venice. It still uses the arms used by the Doges of Venice.

I can’t find a blazon but I would describe it as: Azure a goat Or armed and unglued Gules.

We went to the town of Koper now in Slovenia. Its old city, which used to be an island, keeps the Italian name of Capodistria (formerly Capo D’Istria) and uses its old arms.

It’s not unknown to show a face on a star. This one looks like a Molet of eight points over an Estoile of eight points although I suspect it is blazoned in Croatian as a star. The arms were not granted until 1997 but have been used at least since the Nineteenth Century. In the past it has been shown as a Medusa head, which may either be the original arms (from which the sun was derived), or a misinterpretation of the sun.

They were so fond of this star that they used it on the pavement to mark a walk round the historic city.

More Arms in England

You can find coats of arms on signs in many places. Apart from those for towns, counties and universities they may represent independent schools or even be used as pub signs.


Sadly English pubs are disappearing rapidly or becoming restaurants. Those that are left change their names and very few still have pictorial pub signs – and some of the signs are not very good. The sign for the Kings Arms above does not represent any king. You will be able to do the blazon yourself by now as: Quarterly ermine and gules. An Internet search reveals these arms as appearing in the heraldry of the Bedford Chapel, Chenies Buckinghamshire for a man called Stanhope.

The town of Tewkesbury seems to avoid using its full arms perhaps to concentrate on its displayed banners. I did find this ‘Castle proper,’ which is a small part of the full shield.

I will end with more examples. You may be able to identify some of them.


Heraldic Terms

Here is a brief heraldic dictionary to help you. I have only included words I have used (including some from the Tewkesbury Banners blog post) and I have simplified some definitions.

Achievement – a full set of arms. The shield or ‘escutcheon’ often called the ‘arms’ has a helmet (or crown etc.) topped by a ‘torse’ (a circle of twisted material in two colours) and a ‘crest’ with ‘supporters’ at each side and ‘mantling’ behind. All of this is on a ‘compartment’ and a ‘motto.’ Most of my pictures just show the shield.

Argent – strictly ‘silver’ but in practice usually ‘white.’

Armed – with horns.

Azure – blue. It can be any shade of blue.

Bar – a thinner form of Fess, hence ‘barry’ meaning in horizontal strips.

Bend – a diagonal stripe. (Bend Sinister goes the other way.)

Bendlet – a thinner bend.

Bezant – a Roundel Or, representing a coin.

Blazon – the official heraldic description in a mixture of English and old French often with unexpected word order and no punctuation.

Bordure – a border all the way round the shield.

Caboshed – cut so that only the face shows.

Chief – a block along the top of the shield, hence ‘in chief’ meaning ‘at the top.’

Chevron – an inverted ‘V’ shape.

Chevronel – a narrow chevron.

Counter-changed – a term that normally means that the two sides of a shield are almost identical mirror images but with the colours reversed. (You can also have quarters counter-changed.)

Crest – part of the complex Achievement of arms, usually on a torse covering a helmet.

Cross flory or patonce – a cross with shaped ends. (There are many different forms of cross.)

Dexter – right, from the perspective of the wearer, so left on the page! [Stage Right – Audience Left!]

Engrailed or Invected are like Wavy but with points on one side. (There are many forms of modified edges.)

Eradicated – of a tree, torn up by its roots. (Similarly animal heads may be ‘erased.’)

Ermine – a kind of fur represented as white (argent) with regularly spaced black (sable) tails.

Fess – a block across the middle.

First – ‘Of the first’ means the first colour to be mentioned in the blazon.

Fountain – a Roundel Barry Wavy Azure and Or, usually representing water.

Fretty – with a basket-like criss-cross pattern.

Fructed – with fruit.

Garb – a sheaf of corn.

Gules – red.

Indented – a zig-zag version of ‘wavy.’

Jessant-de-lys with a fleur-de-lys coming from its mouth.

Lozenge – a diamond shape. Lozengy means a diagonal checked pattern.

Martlet – a bird without feet.

Molet or Mullet – a star with straight edges, usually of five points. (An estoile has wavy edges.)

Naiant – swimming. It just means that the fish is horizontal.

Nebuly – a more ornate form of Wavy. It’s even wavier.

Or – gold or yellow.

Pale – A stripe down the middle, hence ‘in pale’ means vertically aligned in the middle. ‘Per pale’ means divided by a vertical line.

Passant guardant – one of many way a lion can stand. (Salient is another.)

Quarterly – it can mean divided into quarters but you can have a ‘quarterly of six’ or other numbers.

Reversed – upside down.

Roundel – a small circle.

Sable – black.

Saltire – a diagonal cross.

Sinister – left. See ‘Dexter.’

Supporters – animals shown at the sides of a shield.

Torteau – roundel Gules (tart.)

Unguled – with hooved feet.

Vair – a blue and white pattern supposedly representing the skins of squirrels.

Wavy – as it says, wavy, not a straight line.


As well as Wikipedia I have taken some of my information from Heraldry of the World at


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[63] The King Apparelled Himself

[63] The King Apparelled Himself – A Blog about the Banners of Tewkesbury

I went to Tewkesbury and I noticed the banners in the streets.

I had seen some of these heraldic flags on previous visits and had assumed that they were random heraldic designs put up to make the town look mediaeval and attractive to tourists.

But as I went round the town this time the first ones I came to were this group of three banners in a little back street on old houses overlooking the river.

Each house had a little printed note, carefully enclosed in waterproof polythene, stuck prominently in their tiny gardens below the banners.

I could see that these banners had much more significance to the people of Tewkesbury. As I went round the town I was careful to photograph as many as I could and when I reached the Abbey I did a bit more investigating.

I looked in the Abbey shop and I found The Street Banners of Tewkesbury produced by the Tewkesbury Battlefield Society.

So I need to do a diversion here and go back a bit – back somewhat over 500 years!

The Battle of Tewkesbury

When we did History at school we did the Romans and then we skipped over the Dark Ages and Mediaeval England and we started again with the Tudors from 1485. So I know very little about the Wars of the Roses. They were long and complicated and I won’t begin to attempt to explain them.

But with the help of Wikipedia I can say that the Battle of Tewkesbury, which took place on 4 May 1471, was one of the decisive battles of the Wars of the Roses. The forces loyal to the House of Lancaster were completely defeated by those of the House of York under King Edward IV. The Lancastrian heir to the throne, Edward, Prince of Wales, and many prominent Lancastrian nobles were killed during the battle or were dragged from sanctuary (in Tewkesbury Abbey) two days later and executed. The Lancastrian king, Henry VI, a prisoner in the Tower of London, died or was murdered shortly after the battle. The Battle of Tewkesbury restored political stability to England at least until the death of Edward IV in 1483.

The Banners

For the last twenty years the Tewkesbury Battlefield Society has undertaken the task of producing and maintaining these banners, which are made individually by hand. Every May there is a public showing of new and refurbished banners at the Town Hall. Local shops and houses can choose them and hire them for erection in June. They come down in September to avoid the hazards of winter weather.

The book has short description of each of the people represented, with a picture of the banner and notes about genealogy and heraldry. I can’t include everything here so I will make some general comments and then show you the banners with comments on one or two.


These banners represent early heraldry with colourful designs on shields and armour to identify individual soldiers. Various stylized forms developed over hundreds of years with the pattern on the shield identifying the family. Differences were made for descendants of the original arm-bearers and this period is almost the end of the relatively uncontrolled era of heraldry. It was a few years later, in 1484, that the College of Arms was formed to register and formalize the process.

A modern armorial Achievement (colloquially known as a Coat of Arms) is not just the shield (Escutcheon) at its centre. It also generally includes a Crest on a Helmet with a Torse, Supporters at each side, Mantling and a Motto. But the banner of arms is a simple flag and shows just the shield.

When they hang vertically as those at Tewkesbury there is no distinction between right and left so you don’t have to worry about ‘dexter’ (right) and ‘sinister’ (left) meaning ‘left’ and ‘right.’ (Actors may perhaps understand the confusion of ‘stage right’ and ‘audience left.’) Some of the pictures below will only match their blazon if you flip the picture round.


The art of describing these shields (Blazon) can fill books. (It does!) The descriptions are still in an archaic Norman French with word order not as we would speak today. I will give you two examples, one from each side. Note first that they don’t use white and yellow. For historic reasons they are silver and gold.

The first one is a very simple design and you will understand its blazon. Sir William Fielding of Lutterworth, Leicestershire (1428-71) fought on the Lancastrian side. His banner was:

Argent a fess Azure charged with three lozenges Or.

[Silver, with a bar across the middle, blue, bearing three diamond shapes, gold.]

The book tells you a little more about Sir William who was made Sherriff of Cambridgeshire and Huntingdon in 1470. He was killed in the battle at Tewkesbury.

Sir William Norreys of Bray and Yattendon, Berkshire (1440-1507) fought on the Yorkist side. His shield is more complicated with parts coming from his father and some from his maternal grandfather. Women didn’t bear arms in the same way as men but they could pass them on. His blazon is:


1 and 4. Argent a chevron between three raven’s heads sable

2 and 3. Quarterly Argent and Gules fretty Or a bend Azure charged with three bezants.

[Divided into quarters

Two of these quarters – each is silver with a chevron and three raven’s heads, all black.

The other two quarters are quartered again – silver and red with yellow diagonal lattices – over all a diagonal bar, blue, with three gold circles.]

I have tried to translate the blazons but you can see how they work very concisely. For example the word ‘bezant’ above is actually short for a ‘roundel Or,’ Roundels were so common that they each had a name. A bezant was a gold coin and hence a gold roundel but other roundels could be plates, hurts, torteaux, pellets, pommes, golpes, oranges or guzes depending on their colour. Even more concise was the word fountain for a ‘roundel barry wavy argent and azure,’ the very common blue and white stripy representation of water.

There will be another blog about Heraldic Signs.

The Lancastrians

These are in the same order as the book so you can find them yourself.

John Basset [Barry wavy of six Or and Gules] One of few surviving prisoners to be pardoned and allowed to return home to Cornwall.

Sir John Butler [Or a chief indented Azure] and Sir Thomas Butler [Or a chief indented Azure a molet Argent for difference] who later succeeded his brother as Earl of Ormond. The blazon makes it clear why these two are different. John was a second son and only had the banner without a difference mark because his older brother had been beheaded after an earlier battle.

Sir Thomas FitzHenry [Ermine a chief Azure charged with three lions rampant Or.] The Ermine of the blazon is neither a metal (like Argent and Or) nor a colour (like Azure or Sable) but it is a tincture representing fur. The fur is the white winter coat of a stoat with lots of small furs sewn together. Exaggerated stylized tails make the black patterns.

I’m sure you all spotted another pair of brothers there – Sir John and Sir Roger Lewkenor. (More to come below.)

They loved puns. Doctor Ralph Mackarell, a non-combatant Doctor of Divinity. [Azure three mackerels hauriant Argent.]

Margaret Valois of Anjou, Queen of England after her marriage to Henry VI, a major figure on the Lancastrian side, had a more complex banner described as Quarterly of six. (Quarterly did not necessarily have anything to do with a four-part division.) I won’t give the full blazon but two of the six sections were forms of the ancient shield of France (blue with gold fleu-de-lys) modified to represent Anjou and Lorraine and three of the others represented Hungary, Jerusalem and the Duchy of Lorraine.

She was captured just after the battle and held until the King of France paid her ransom of 50 000 crowns. As Queen of England she could have had an even more complicated banner impaling her arms with those of Henry VI.

The Yorkists

There were more Lancastrians than Yorkists but most of the banners represent Yorkists. Perhaps that is because they won!

This banner of Richard, Duke of Gloucester (later Richard III) is a household banner, not the same as his shield (a differenced version of the royal arms of his brother, Edward IV, shown further on.)

Sir Walter Blount, Lord Mountjoy of Thurveston, Barton Blount and Elvaston is one where my picture shows a reversed form. Among other changes this gets the numbers of the quarters wrong. It should be.


1 Argent two wolves Sable, on bordure Or eight saltires Gules

2 Or a castle triple towered Azure

3 Barry nebuly of six Or and Sable

4 Vair

Vair, like Ermine is a stylized form of fur, representing the greyish-blue backs of squirrels alternating with their white under-bellies. (It’s the winter fur of one form of the Red Squirrel found in northern Europe.)

This is not just a wolf. It has blood on its claws and tongue. It is Azure, a wolf salient Argent, armed and langued Gules.

King Edward IV, Duke of York (Edward Plantaganet,) the leader of the Yorkists. The banner is: ‘Quarterly 1 and 4. Azure three fleur-de-lys Or 2 and 3. Gules three lions passant guardant Or’ but its history is so well-known that it It’s also described as: ‘Quarterly 1 and 4 France 2 and 3 England.’

The Royal Standard has changed little over hundreds of years. As I am sure you will recognize it is now Quarterly 1 and 4 England 2 Scotland 3 Ireland.

A very simple banner using counter-changing. Sir Geoffrey Poole of Worrell: Per pale Or and Sable, a saltire engrailed counter-changed.

Unidentified Banners

The book is a few years old and I found a few new ones not in the book. Most of these seem to be very close relatives of some in the book, marked by small differences in the blazon.

Without the tree torteaux (roundels Gules) this would be the Lancastrian Sir Henry Grey.

Probably Sir Maurice Berkeley whose two sons fought with the Yorkists. They both have this banner with difference marks.

Probably Sir Philip Courtenay who also had two sons fighting for the Yorkists.

Perhaps a relative of the Lancastrian Sir Robert Knollys who had three red roses on a chevron instead of one on a saltire as shown above.

Fairly similar to the banner of Sir Thomas Montgomery, a Yorkist.

The Lancastrian John Wroughton had boar’s heads instead of greyhounds.

I won’t guess at the next two but the last one (which appears on the cover of the book, but not inside) is presumably the white rose of York.

It’s all about the Battle of Tewkesbury and the web-site of the Tewkesbury Battlefield Society displays this quotation which probably comes from a contemporary document.

The Kynge apparailed hymselfe, and all his hooste set in good array; ordeined three wards; displayed his bannars; dyd blowe up the trompets; commytted his caws and qwarell to Almyghty God, to owr most blessyd lady his mothar, Vyrgyn Mary, the glorious martyr Seint George, and all the saynts; and advaunced, directly upon his enemyes; approchinge to theyr filde, which was strongly in a marvaylows storng grownd pyght, full difficult to be assayled.

A similar description with more modern spelling is as follows.

Upon the morrow following, Saturday, the 4th day of May the king apparelled himself, and set all his host in good array, displayed his banners, did blow up the trumpets, committed his cause and quarrel to God, and advanced directly upon his enemies who were pitched strongly in a marvellously strong ground, very difficult to assail. In front of their field were such evil lanes and deep dikes, so many hedges, tree, and bushes, that it was very hard to approach near and come to hand fighting. But Edmund, called Duke of Somerset, having that day the vanguard advanced with his troops somewhat on one side of the king’s vanguard, and by certain paths and ways previously surveyed, and unknown to the king’s party, he departed out of the field, passed a lane, and came to a close, just in front of the king and from the hill that was in one of the closes, he set right fiercely on the end of the king’s division. The king, in manly fashion, at once set upon them won the dike and hedge and with great violence pushed them back up the hill, assisted by the Duke of Gloucester.